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A word that can narrate the Centennial Collection release of the 1961 film “Breakfast at Tiffany’s”, the classic romantic comedy starring Audrey Hepburn and George Peppard.
Having reviewed previous versions of “Breakfast at Tiffany’s” before on DVD, I’m clear many Audrey Hepburn fans are probably wondering how else can Paramount improve from the 2006 45th Anniversary Edition on DVD? Well, I can deny you accurate now… plenty! Please read on.
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A film that stars quite a bit of talent, “Breakfast at Tiffany’s” remains not unbiased one of the most memorable romantic films of all time but a film that exemplifies the beauty of Audrey Hepburn, the chic style of the times and more (which I will discuss more in the special features fraction of my review) .
VIDEO & AUDIO:
The film is presented in widescreen format, enhanced for 16:9 TV’s. A lot of the Centennial Collection releases have been remastered for high definition and having the previous DVD’s, I can declare you that the DVD looks gargantuan. But I can only imagine how this film would spy in 1080P if released in Blu-ray.
Audio is featured in Dolby Digital English 5.1 Surround/English, Restored Mono, French Mono and Spanish Mono. The film of course is dialogue-driven but definite enough, the music of Harry Mancini is alive and well when blaring through your speakers.
SPECIAL FEATURES:
As mentioned before, there have been several releases of “Breakfast at Tiffany’s” prior to this Centennial Collection, the older DVD’s really hardly came with anything but the trailer until the 2006 “Special 45th Anniversary Collector’s Edition” which came with a ample number of special features and a commentary by producer Richard Shepherd.
Well, what I can stammer you is that the Centennial Collection contains all of the special features from the Anniversary DVD release but also adds quite a few unique lengthy featurettes as well. On the first disc, the first disc contains the movie and the same commentary from the Anniversary disc by Producer Richard Shepherd. You can scream that Shepherd gets drawn in to the film and doesn’t sigh in the commentary until he feels important.
So, for those wanting a verbose commentary, Shepherd doesn’t do that. But it’s actually quite blooming because when he does voice, you learn a lot of things from him about the filming. For example, the opening shot featuring Audrey Hepburn in front of Tiffany’s in Fifth Avenue. Where the plot is typically packed with cars and people, for that time… there was hardly any traffic and no people. So, a very lucky time in filmmaking for the crew.
Also, Shepherd is quite apologetic about casting Rooney as Mr. Funiyoshi and he does that quite a bit in the commentary. You realized he didn’t want the yellow face routine (Caucasian actor looking like an Asian stereotypical character) but it was kept in. Also, commenting of how clear scenes worked then but would never cruise now. But most of all, his continued feeling of Audrey Hepburn as a class act. Overall, a very proper commentary that you learn a lot from.
The special features on disc 2 are as follows:
* A Golightly Gathering – A 20-minute featurette that reunites the talents who were in the cocktail party scene from “Breakfast at Tiffany’s”. One of the coolest parties ever on film, it’s tremendous to peruse the talent from the film reunite and discuss their experiences of filming that fragment scene 40-years later. I had no view the party-scene took 8-days to film but it was sizable to hear everyone talk about their scene, working with Audrey Hepburn, George Peppard and Blake Edwards. But what a substantial featurette and so satisfied of it’s inclusion.
* Henry Mancini: More Than Music – This nearly 21-minute featurette is a astonishing featurette that features interviews with Henry Mancini’s wife, daughter and son. Seeing private photos and even videos of Henry and having their family talk about him and what they remember about him, winning the two Academy Awards for “Moon River” and working on other films is unbiased unbelievable.
* Mr. Yunioshi: An Asian Perspective – A 17-minute featurette. Despite the popularity of the film, the gloomy cloud that has lingered on this film was the casting of Mickey Rooney as “Mr. Yunioshi”. A talented actor, the “yellow face” role was objective dismal and answer by the director, producer and a cast member was impartial terribly base in casting Rooney for that role. This feature has interviews with representatives of the Media Action Network of Asian Americans. I’m cheerful that Paramount did include this featurette on this collection.
* The Making of a Classic – Originally from the Anniversary release, this segment features interviews with Producer Richard Shepherd and Director Blake Edwards. A 16-minute featurette and you definitely learn a lot about the film, especially from Blake Edwards. One could image how his director’s commentary would have been if included, especially with what he had to say on this featurette.
* It’s So Audrey: A Style Icon – An eight limited featurette with interviews with designers, Hepburn’s son and companion. How Audrey Hepburn made simple things quite sexy. How Audrey never belief of her body proportions that sexy but she did have a grand view for style and how she became a fashion and style icon.
* Late the Gates: The Tour – This 4 slight featurette gives people a spy gradual the gates of the Paramount lot. A helpful promotional for those who would like to tour the Paramount lot.
* Brilliance in a Blue Box – A six dinky featurette about the history of Tiffany’s. Originally featured on the Anniversary DVD.
* Audrey’s Letter to Tiffany – A two dinky featurette about the letter Audrey wrote for the preface of the 150th Anniversary book for Tiffany’s.
* Novel Theatrical Trailer – The unique two petite trailer with its dust, scratches and all.
* Galleries – Featuring production stills, movie stills and publicity shots for the film.
The Centennial Collection also comes with a booklet that features information of facts of the film, from how Capote wanted Marilyn Monroe for this film, information on Orangey the cat and how the “Recent York Situation” that was filmed at the Paramount lot is now forever lost due to the immense Paramount fire befriend in 1983 that destroyed historical sets.
And the DVD is objective classy with it’s sunless and gold packaging (which most of the Centennial Collection are packaged) and ditching the pink and white packaging.
I absolutely admire this film. From the memorable dialogue, that first scene with Holly standing in front of Tiffany’s, the cocktail party, Holly Golightly singing “Moon River” on her guitar, the cat and of course the final scene between Holly and Paul.
“Breakfast at Tiffany’s” is a classic Audrey Hepburn film that is a must-own. I know that the film has been re-released many times on DVD and the 45th Anniversary was unprejudiced a pleasure when it first came out and at the time, it was a definitive release. But now, with this “Centennial Collection” featuring a remastered version of the film and the recent (and quite lengthy) featurettes that is included on this collection, this is the definitive version on DVD.
Personally, I can only imagine how this would behold once it becomes available on Blu-ray but for now, these Centennial Collections from Paramount are unbiased extraordinary. Especially “Breakfast at Tiffany’s”, I’m really amazed how far Paramount went in order to gain this release considerable more special.
The addition of “A Golightly Gathering” featuring the actors who took section in that cocktail party was awesome, the Henry Mancini featurette for those who impartial cherish his musical work will appreciate this featurette and of course, for those who have felt the afflict of the “yellow face” segment in the film, Paramount going the extra step by including a featurette dedicate to that on this DVD.
But in the raze, this DVD is indeed a special tribute to Audrey Hepburn. Hepburn is unbiased an icon of style and elegance and this DVD does a large job of giving special attention to such an fabulous film. And after seeing this film so many time times, I smooth have not grown tired of it. It’s one special film that I highly recommend
“Breakfast at Tiffany’s” is flawless blend of a crowd-pleasing star-vehicle for the effortlessly charming Audrey Hepburn and a bittersweet, painfully glorious peek at care for, life, and happiness. Director Blake Edwards, the man slow “The Pink Panther” series, “The Party”, “Operation Petticoat”, “Victor/Victoria”, etc., has crafted a truly timeless film based on the novella by Truman Capote. Though numerous elements of Capote’s account were altered, the film detached has a strong core and message that urges audiences to ask their beget lives, loves, and happiness.
Everything about this film is classic. You have the timeless Hepburn and her defining performance as Holly Golightly, a sophisticated, sassy call-girl with a secret past who is ultimately one of the most vulnerable characters Hepburn ever played. Then there’s George Peppard, a vastly under-appreciated actor who manages to believe his occupy next to Hepburn while playing a struggling writer living off an older married woman. Peppard’s boyish superior looks and surprising depth effect him the ideal match for Hepburn’s Golightly.
Then of course there’s Henry Mancini’s wistfully romantic bag and the tremendously accepted theme-song, “Moon River”, a suitable gem of a song that capture’s the film’s essence perfectly. In addition, you have Hepburn’s astounding, style-setting wardrobe courtesy of her lifelong friend Hubert de Givenchy. In this one film alone, Hepburn and Givenchy practically invented the “cramped murky dress”, popularized ballet flats, and introduced capris as a stylish alternative to regular pants.
My current quote:
Holly Golightly: You know those days when you net the mean reds?
Paul Varjak: The mean reds, you mean like the blues?
Holly Golightly: No. The blues are because you’re getting paunchy and maybe it’s been raining too long, you’re unbiased unlit that’s all. The mean reds are defective. Suddenly you’re frightened and you don’t know what you’re stupefied of. Do you ever gather that feeling?
Paul Varjak: Clear.
Holly Golightly: Well, when I accumulate it the only thing that does any fine is to jump in a cab and go to Tiffany’s. Calms me down apt away.
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